In 2021, the world’s top contributors from all
walks of life-Liu Zengji.
刘增基(吉),名如川、字墨禅、出生于山东聊城茌平一个书香之家。现任世界教科文卫组织首席艺术家,并担任该组织艺术委员会执委、世界华人艺术家协会副主席,中国国家书画院副院长、中国榜书书法家协会主席、中国书法家协会会员、中华书法家协会副主席、中国书法美术家协会理事长、中国艺术学会常委、中国书画学会副主席、中国民族艺术家协会副会长、中国书画名家研究会副会长、英国牛津艺术学院博十生导师/客座教授、中国国际新闻书画研究院院士、《世界风云人物报》中国上榜十大书法家之一、中国美术家协会培训中心书法教授、中国科协教育专家委员会首席书画家、台北故宫书画院名誉院长(终身高级院士)。
Liu
Zengji (Ji), with the name Ruchuan and the word Mochan, was born in a
scholarly family in chiping, Liaocheng, Shandong Province. At present,
he is the chief artist of the World Educational, Scientific and Cultural
Organization, and serves as the Executive Committee of the Art
Committee of the organization and the Vice Chairman of the World
Association of Chinese Artists. Vice President of China National
Painting and Calligraphy Institute, Chairman of Chinese Calligraphers
Association, Member of Chinese Calligraphers Association, Vice Chairman
of Chinese Calligraphers Association, Chairman of Chinese Calligraphy
Artists Association, Standing Committee of Chinese Art Society, Vice
Chairman of Chinese Painting and Calligraphy Society, Vice President of
Chinese National Artists Association, Vice President of Chinese Painting
and Calligraphy Masters Research Association, Tutor/Visiting Professor
of Bo Shisheng of Oxford Art Institute in the UK, Academician of China
International Press Painting and Calligraphy Institute, World Person is
one of the top ten calligraphers in China, a calligraphy professor at
the Training Center of China Artists Association, the chief painter of
the Education Expert Committee of China Association for Science and
Technology, and the honorary president (lifelong senior academician) of
the National Palace Museum of Painting and Calligraphy in Taipei.
刘增基作品
Liu Zengji’s works
从六岁始,刘增基被父亲握着小手学写字。六十年来,废寝忘食、夜以继日,踏着月光、迎着朝霞,不离砚田,辛勤耕耘!冬练三九、夏练中伏,冒酷暑、战严寒,以继承和发扬祖国优秀文化传统为已任!以柳(公权)《玄秘塔》正楷为宗,遍临欧(阳询)《九成宫》、颜(真卿)《东方朔画赞》、赵(孟頫)《胆巴碑》诸碑帖,得其欧之险劲、颜之浑厚、柳之挺拔、赵之雍容,坚持晋朝王羲之老师——卫夫人“多力丰筋者圣,无力无筋者病”的学书方针;牢记当代艺术大师,真、草、隶、篆书法集大成者邓散木先生“先与古人合,后与古人离”的学书教诲。广泛涉猎、上下求索,在中国书坛卓然独步,自成一家。
From
the age of six, Liu Zengji was held by his father to learn to write.
Over the past 60 years, I have been working hard, working day and night,
stepping on the moonlight, facing the sunrise, and staying in the
inkstone field. Practicing for the 39th in winter and the middling in
summer, taking the heat and fighting the cold, and taking inheriting and
carrying forward the excellent cultural traditions of the motherland as
our duty! Taking Liu (Gongquan)’ Xuanmi Tower’ in block letters as the
case, it is all over Europe (Yangxun), "Jiucheng Palace", Yan
(Zhenqing), "Dong Fangshuo Painting Praise", Zhao (Mengqi), "Danba
Monument", which has won the danger of Europe, the richness of Yan, the
straightness of Liu and the grace of Zhao, and adhered to the Jin
Dynasty. Keep in mind the contemporary master of art, Mr. Deng Sanmu,
who is a master of the methods of Zhen, Cao, Li and Seal Script, who
"first merged with the ancients, then separated from them". He dabbled
extensively, searched from top to bottom, and stood alone in Chinese
calligraphy circles.
刘增基作品
Liu Zengji’s works
四十年来,天南塞北、扬我国粹,驰骋九州、广交益友!足迹踏遍祖国大江南北、长城内外,转益多师,受益匪浅,受到中国社会各界领导、同道和亲朋好友的普遍认可和赞赏!先后被评选为"中国艺术博士”、“新时代中华诗状元”、“共和国功勋文艺家”、“中国终生艺术泰斗”、“世界文艺百家领军人物”、“艺坛骄子”、“十九大功勋艺术家”、“金砖艺术家”、“金牌艺术家”、“国家高级书法师”等职称,并被国家授予“中国书法艺术楷模”、“当代艺术楷模”、“中国最具投资价值艺术家”、“中国最具收藏价值艺术家”、“国家文化卓越贡献奖”、“中国国际艺坛巨匠”等荣誉称号!刘增基与何香凝、齐白石、常香玉、萧龙士、郭沫若、徐悲鸿、启功、范迪安、苏士澍十位艺术大师一起被载入《一代巨擘》。刘增基与王羲之、欧阳询、苏轼、黄公望、董其昌、石涛、张大千、启功、冯远十位艺术大师载入《大师风范》。
In
the past 40 years, I’ve spent the past 40 years, promoting the
quintessence of our country, galloping in Kyushu and making friends! I
have traveled all over the country, both in the north and south of the
Great Wall and inside and outside the Great Wall, and have benefited a
lot from it. It has been widely recognized and appreciated by leaders
from all walks of life, colleagues, relatives and friends in China! He
has been selected as "Doctor of Chinese Art", "Top Scholar of Chinese
Poetry in the New Era", "Meritorious Literary Artist of the Republic",
"Master of Chinese Lifetime Art", "Top 100 Leaders in World Literature
and Art", "Pride of Art", "Meritorious Artist of the 19th National
Congress", "Golden Brick Artist", "National Senior Calligraphy Master"
and other titles, and has been awarded "Chinese Calligraphy Art" by the
state. Liu Zengji, together with He Xiangning, Qi Baishi, Chang Xiangyu,
Xiao Longshi, Guo Moruo, Xu Beihong, Qi Gong, Fan Dian and Su Shizhu,
was included in "A Generation of Giants". Liu Zengji and Wang Xizhi, Ou
Yangxun, Su Shi, Huang Gongwang, Dong Qichang, Shi Tao, Zhang Daqian, Qi
Gong and Feng Yuan were recorded in Master Style.
刘增基作品
Liu Zengji’s works
2020年3月,刘增基先生荣获第三届世界文化奖金奖,先后被授予《世界艺术巨匠》和《世界艺术泰斗》荣誉称号。2020年鉴于刘增基先生艺术水准,在全球艺术界与艺术市场的影响力与认可度,特评定荣获“全球艺术投资巅峰奖”并授予“全球最具投资价值与收藏潜力艺术家”荣誉称号。2020年8月27日全国书画艺术委员会、中国传统文化发展中心、国家高级美术师职称评审委员会举办的书法类资质考核,刘增基先生被评审为“国家高级书法师”。作品润格审定为120000——180000元/平方尺。
In
March, 2020, Mr Liu Zengji won the Third World Culture Award, and was
awarded the honorary titles of "World Master of Art" and "World Master
of Art" successively. In 2020, in view of Mr. Liu Zengji’s artistic
level, influence and recognition in the global art world and art market,
he was awarded the "Top Award of Global Art Investment" and the
honorary title of "Artist with Most Investment Value and Collection
Potential in the World". On August 27, 2020, the National Painting and
Calligraphy Art Committee, China Traditional Culture Development Center
and the National Senior Artist Title Evaluation Committee held the
calligraphy qualification examination, and Mr. Liu Zengji was appraised
as "National Senior Calligraphy Master". Runge of the works is
120,000-180,000 yuan/square foot.
刘增基作品
Liu Zengji’s works
2020年12月,鉴于刘增基先生在世界文化中有着巨大影响力,作品极具文化传承代表性,深受世界人民喜爱,被比利时皇家艺术院聘请为“终身院士”和“荣誉教授”,并授予刘增基先生“中欧文化形象大使”荣誉称号。2021年1月,鉴于刘增基先生在文化领域所取得的突出成就,为推动世界教科文方面的交流与发展所作出的突出贡献,荣获“世界科教文杰出贡献奖”,并授予刘增基先生“世界教科文杰出文化人物”荣誉称号。
In
December, 2020, in view of Mr Liu Zengji’s great influence in world
culture, his works are highly representative of cultural inheritance and
are deeply loved by people all over the world. He was hired as a
"lifelong academician" and an "honorary professor" by the Royal Belgian
Academy of Art, and was awarded the honorary title of "Ambassador of
China-Europe Cultural Image". In January 2021, in view of Mr. Liu
Zengji’s outstanding achievements in the cultural field and his
outstanding contribution to promoting the exchange and development of
world science, education and culture, he was awarded the "World Award
for Outstanding Contribution to Science, Education and Culture" and was
awarded the honorary title of "Outstanding Cultural Person in World
Science, Education and Culture".
刘增基作品
Liu Zengji’s works
水镜明辨 精极笔墨
——记著名书法家刘增基
看到刘增基先生的书法作品,“水镜明辨”的论断由然而生,因为从他的书风来看,是对传统书论极有感悟的成就!当代书法习成者,拿过一帖练一帖,似乎并不太在意法帖背后的书论承载,所以习成书法知其然,不能知其所以然。刘先生对历代书论都有精研覃思之功,所以对书法文化龙脉觉悟透彻,按照书论为导向,深师碑帖,写得这一手正宗的翰墨上品!
The water mirror clearly distinguishes the ink.
-Remember the famous calligrapher Liu Zengji.
Seeing
Mr. Liu Zengji’s calligraphy works, the judgment of "distinguishing
with water mirror" came into being, because judging from his style of
calligraphy, it was an achievement that was very perceptive of the
traditional book theory! Contemporary calligraphers who practice one
post after another do not seem to care too much about the book theory
behind the Fatie, so they know why, but can’t know why. Mr. Liu has done
a good job of studying calligraphy in all previous dynasties, so he has
a thorough awareness of calligraphy culture and Long Mai. He is guided
by calligraphy theory, and deeply studied the inscriptions, thus writing
this authentic calligraphy!
刘增基作品
Liu Zengji’s works
他是一位诸书皆成的贤家,尤其以行草写得具有万般魅力!是一位笔法精研的磨砺者,执笔于手,功在法帖,取法二王,把晋代文人书法放手写心的真谛表现得游刃有余。这正是心追兰亭序,心临伯远帖的真功夫。看他的书法,状如激楚浪以成文,充满儒家中和之气,亦有雅观流丽的审美魅力,把东方审美“刚柔相济”的核心原则表现到无以复加。由是,观览他的书法作品,不但得形之美,还能读透文化之妙,形神兼备,尤贵于神!
He
is a sage with all kinds of books, especially with all kinds of charm!
He is a hone of meticulous brushwork. He writes in his hand, makes
contributions to the calligraphy posts, and takes the second king of the
law. He shows the true meaning of letting go of the calligraphy of Jin
literati. This is the true kung fu of chasing Lanting Preface and facing
Bo Yuantie. Looking at his calligraphy, it looks like a written
document, which is full of Confucian neutral spirit and elegant
aesthetic charm, showing the core principle of "combining rigidity with
softness" in oriental aesthetics beyond measure. Therefore, by looking
at his calligraphy works, we can not only get the beauty of form, but
also thoroughly understand the beauty of culture, with both form and
spirit, especially valued by God!
刘增基作品
Liu Zengji’s works
书法的本质是线条的塑造法度,赵子昂有论用笔千古不易。所谓不易,就是书法线条不能写得呆板滞碍,需要把书法线条写得惟妙惟肖,活力十足,变化万千。现在看刘先生的书法作品,恰谙此道,把书法线条写的姿态无限,有鸿飞兽骇之姿,也有鸾舞蛇惊之态,有垂露悬针之异,也有奔雷坠石之奇。一笔写过来,左蹙右盼,如虬龙蜿蜒。一笔转过去,上下翻飞,如鸾凤徘徊。写的是一划之间变起伏于锋杪,一点之内殊妞挫于毫芒!笔法的变化无穷无尽,可以执笔写万类之像,同自然之妙有,非力运所能成!是文人书法善作线条,妙写高低的炉火纯青。这样的笔法已经达到峰巅而称巧,这样的艺术已经达到最高而谓妙,巧妙兼具,魅力当然无穷。
The
essence of calligraphy is the molding of lines, and it is not easy for
Zhao Ziang to use his pen for ages. It’s not easy, that is, calligraphy
lines can’t be written in a rigid way, but they need to be written in a
vivid, energetic and varied way. Looking at Mr. Liu’s calligraphy works
now, I just know this way. The attitude of writing calligraphy lines is
infinite, including the posture of flying beasts, the posture of dancing
snakes in Luan, the difference of hanging needles, and the strangeness
of running thunder and falling stones. Once written, I looked left and
right, like a kind of dragon winding. A turn in the past, flying up and
down, such as husband and wife wandering. Is written between a row of
ups and downs of Feng Yu Jue, within a little girl fell in milli mans!
There are endless changes in brushwork, so you can write all kinds of
images, which is wonderful with nature and cannot be achieved by force!
It’s the literati’s calligraphy, which is good at writing lines and
writing high and low. Such brushwork has reached the peak and is called
artful, while such art has reached the highest and is called wonderful.
It is both clever and charming, of course.
刘增基作品
Liu Zengji’s works
水镜明辨,精极笔墨。世人作书法,重视笔法者多,同时像刘先生这样又娴熟于墨韵铺陈的人士稀有鲜见。刘先生深知书法以“笔墨”代称,笔不可缺,墨不可少,所以笔里有墨,墨里有笔,同时精湛于对墨质的把握。重墨写崩云,轻墨写蝉翼,或纤纤如新月之出天涯,或落落如众星之列河汉。墨色的变化常见一点斜附,如螳螂而抱枝的生动意趣,也有飘风骤雨惊竦竦的气势表达。笔未到,墨作气可先吞,势来不可止,势去不可遏。一幅作品,必是笔墨兼作超能的表现。这就是他的书法有专业影响力,亦有审美号召力的重要原因!唯如先生这样写书法,才可以把书法文化龙脉铺陈得正大气象,代不绝人!
著名书画评论家罗成2021年4月22日
Clear
water mirror, fine ink. Many people in the world pay attention to the
brushwork in calligraphy, while people like Mr. Liu who are skilled in
calligraphy are rare. Mr. Liu is well aware that calligraphy is called
"pen and ink", and pen is indispensable. Therefore, there is ink in the
pen, and there is a pen in the ink. At the same time, he is superb at
grasping the ink quality. Heavy ink to write collapse cloud, light ink
to write cicada wings, or delicate like a new moon out of the horizon,
or falling like a star in the river. The change of ink color is often
oblique, such as the vivid interest of praying mantis and holding
branches, and the imposing manner of floating wind and sudden rain.
Before the pen arrives, the ink can be swallowed first. When it comes to
Fukashi, it will be unstoppable. A work, must be the performance of
both pen and ink as super powers. This is the important reason why his
calligraphy has professional influence and aesthetic appeal! Only when
Mr. Wang writes calligraphy in this way can the calligraphy culture Long
Mai be laid out in a fair manner and can never be replaced by others!
Famous painting and calligraphy critic
Luo Cheng April 22, 2021.
刘增基作品
Liu Zengji’s works
刘增基作品
Liu Zengji’s works
刘增基作品
Liu Zengji’s works
刘增基作品
Liu Zengji’s works
刘增基作品
Liu Zengji’s works
刘增基作品
Liu Zengji’s works
刘增基作品
Liu Zengji’s works
刘增基作品
Liu Zengji’s works
