程松华,书法家、诗人。现为湖南省株洲市书法家协会会员,株洲市老干部书法家协会会员,中国文化遗产保护研究院文学书画艺术院会员,燕京文化艺术交流协会会员等。从20世纪90年代中期起,他为了实现梦寐以求的理想,观察社会,留意生活,洞察人生,抓住灵感,努力创作,写了不少诗歌诗词。其诗歌、书法作品发表在《中国当代诗歌大词典3》上,并被邀请为该书的编委成员。2019年10月书法作品入编国家级文化类核心期刊《文化月刊》,2019年10月书法作品被人民网、新华网、中国日报网等媒体报道。
Cheng
Songhua is a calligrapher and poet. Now he is a member of Zhuzhou
Calligraphers Association, Zhuzhou Old Cadre Calligraphers Association,
Literature Painting and Calligraphy Institute of chinese heritage
Conservation Research Institute, Yanjing Culture and Art Exchange
Association, etc. Since the mid-1990s, he has written many poems in
order to realize his dream, observe society, pay attention to life, gain
insight into life, seize inspiration and work hard. His poetry and
calligraphy works were published in the Great Dictionary of Contemporary
Chinese Poetry 3, and he was invited as a member of the editorial board
of the book. In October, 2019, calligraphy works were included in
Cultural Monthly, a national cultural core journal. In October, 2019,
calligraphy works were reported by People’s Daily Online, Xinhuanet,
China Daily Online and other media.
程松华作品
2020年9月,程松华老师拜见了书坛泰斗权希军先生,权老先生称其作品,用笔灵动而有生机,流畅、奔放、自然而不做作。虽有今人的痕迹,但也有自己的想法和意思,章法随心所欲,不拘泥传统格式,有现代创作的理念意识。经权老先生在书法创作上的指点,自此如拨云雾,毛塞顿开,受益匪浅!书法艺术向前跨出了一大步!
In
September 2020, Mr. Cheng Songhua met Mr. Quan Xijun, the leading
calligrapher, and Mr. Quan Lao said that his works were smart and
vigorous, fluent, unrestrained and natural without affectation. Although
there are traces of modern people, they also have their own ideas and
meanings. They have arbitrary rules and regulations, do not stick to the
traditional format, and have the idea consciousness of modern creation.
Mr. Jingquan’s advice on calligraphy creation has been like a cloud and
mist since then, and he has benefited a lot! Calligraphy art has taken a
big step forward!
程松华作品
劲修碑帖续贤风 师益古今传正宗
——记著名书法家程松华
Jin Xiu’s inscription continues to be virtuous, and the ancient and modern biography is authentic
—— Record the famous calligrapher Cheng Songhua
书法讲究传承,所以需要劲修碑帖。但是从书法实践的层面讲,师益古风是一个比较枯燥漫长的过程,所以师古持久的书法家都需要非凡的毅力支持,没有板凳冷坐三十年的修炼,绝然不会有师古得法的大成。当代著名书法家程松华先生,就是师古持久的坚定修炼者,他以法帖为本,以古碑为源,帖碑两全,得成书法刚柔相济,雄劲儒雅的合成底色,成为书法源承于碑帖,功建于当代的大手笔。
Calligraphy
pays attention to inheritance, so it is necessary to repair the
inscription. However, from the aspect of calligraphy practice, it is a
rather boring and long process to learn from ancient customs. Therefore,
calligraphers who learn from ancient customs for a long time need
extraordinary perseverance support. Without the practice of sitting on a
bench for 30 years, there will never be a great achievement in learning
from ancient customs. Mr. Cheng Songhua, a famous contemporary
calligrapher, is a firm practitioner who studies ancient times for a
long time. He takes Fa Tie as the foundation, ancient monuments as the
source, and affixes both monuments, thus obtaining a composite
background of calligraphy that combines rigidity and softness, is
vigorous and elegant, and has become a calligraphy that originates from
the inscription and is built on the contemporary masterpiece.
程松华作品
他的书法修炼先师从古人,以王羲之书法的文人风格为构建核心,笔逸墨雅,风度翩翩。法学赵子昂的楷书,映带丝连,游刃有余。还对三希堂法帖有极尽的磨砺探寻,伯远之风,中秋之韵,雪时快晴的欣若,都被他汲纳成自家书法风格的构成要素,收获了法源先贤追贤风,力铸功高成造诣的丰硕翰墨成绩。
He
studied calligraphy from the ancients, taking the literati style of
Wang Xizhi’s calligraphy as the core, and his writing was elegant and
graceful. Zhao Ziang’s regular script of law is well-versed. He also
made an exhaustive exploration of Sanxi Hall’s calligraphy posts. The
style of Bo Yuan, the charm of Mid-Autumn Festival and Xin Ruo, who is
clear in snow, were all absorbed by him as the constituent elements of
his own calligraphy style, and he gained the fruitful calligraphy
achievements of the sages of Fayuan, who pursued their talents and made
great efforts to achieve high accomplishments.
程松华作品
看一位书法的实力根基,不必多谈,直观楷书就行。楷书无功,一切免谈,这应该是检验真书法家和伪书法家的金钥匙。程松华一手风华绝丽的抄经小楷,合入柳骨,切进颜筋,小楷大气度,小而不拘,气息开通,正质满盈,主笔赵体之逸,兼显褚遂良的瘦硬,在章法上介入钟绍就宽绰写灵飞的境界,从头到尾,笔笔力到,字字正泰,无一处有弊,无一点显病,字韵品格很是高贵。楷书一关,程松华基由数十年对碑帖原风的心追手临,功高而过,所以可以郑重感触,他是一位书法的实力派,无可争议,当代大家,正如同为楷书大家的田蕴章所说的论断:唯有楷书得功力,诸书才能得建树。
Look
at the strength of a calligraphy foundation, don’t talk much, just
intuitively regular script. Regular script is useless, and everything is
out of the question. This should be the golden key to test true
calligraphers and pseudo calligraphers. Cheng Songhua copied the
classics in lower case, merged into the liugu and cut into the Yan Jin.
The lower case is big in bearing, small and informal, and its breath is
open. It is full of quality, the main pen is Zhao Ti’s escape, and it is
also thin and hard. When you intervene in Zhong Shao’s composition, you
can write the state of Lingfei generously. From the beginning to the
end, you can see the pen and the pen, and every word is Chint, without
any disadvantages or any illness. As soon as regular script came to a
close, Cheng Songhuaji went after the original style of inscription for
decades, and his achievements were higher than others. Therefore, he can
feel solemnly that he is a strength school of calligraphy, which is
undisputed. Contemporary people, just as Tian Yunzhang, who is a regular
script master, said: Only regular script can make achievements.
程松华作品
他的行书运笔流畅,非常讲究中锋注墨的技巧,每每握笔创作,总是意在笔先,凌空而下,显观秋鹰逐逸的迅捷动感。而这种运笔的思谋与实践,正是常年临习兰亭序、圣教序的通谙收获。王羲之写兰亭,法在快意,功在娴熟。程松华在笔法磨砺上付出时功久久,所以笔法娴熟自然而得快意,行书也写得状如缎,质如锦,线性流动,一气呵成,虽然不是书圣小醉赋兰亭,却是自由快意写天歌,笔墨里神奇的节奏动感,一如贤风,观瞻悦目动心,完全脱俗。
His
running script is fluent, and he pays great attention to the center’s
skill of ink injection. Every time he holds the pen, he always intends
to write first and volley down, showing the swift and dynamic feeling of
autumn eagle escaping. And this kind of thinking and practice of
writing is just the harvest of learning the preface to Lanting and the
preface to holy teachings all the year round. Wang Xizhi wrote Lanting
with pleasure and skill. Cheng Songhua spent a long time in sharpening
his brushwork, so his brushwork was skillful and natural, and his
running script was written like satin, with a quality like brocade,
flowing linearly and in one go. Although he was not a little drunk and
endowed with Lanting, he was free and happy to write Tiange, and his
magic rhythm and movement in his pen and ink were just like the virtuous
wind, which was pleasing to the eye and completely refined.
劲修碑帖续贤风,师益古今传正宗。他的书法师成,除了有师益古风的坚定,也有主动师法当代的主动,特别是他独具选师的慧眼,以当代书法大家石羊的笔墨为师,可谓是师选名门,更益功成。石羊书法的金石味和文化韵,影响着他的草书创意,线条千钧力,细而不弱,丝生钢质,铰转生风,危岩落石,瀑源银河。再加上文人书法的雅致韵味,让他的草书书法显观着时代审美的新品位。传承于书谱,创建于时代,新与旧的碰撞,让笔墨显观艺术的新辉,美不胜收,大家建大业,总是在于能修传承与创新的全能!
Make
great efforts to repair the inscription and continue the virtuous
style, and learn from the ancient and modern times. In addition to his
determination to learn from the ancient style, he also has the
initiative to learn from the contemporary style. In particular, he has a
unique eye for selecting teachers, taking the pen and ink of Shiyang, a
master of contemporary calligraphy, as a teacher, it can be said that
it is more successful to choose a noble family. Stone flavor and
cultural rhyme of Shiyang’s calligraphy influence his cursive
creativity. The lines are powerful, thin but not weak, silk is made of
steel, hinge is turned into wind, dangerous rocks are falling rocks, and
waterfalls come from the Milky Way. Coupled with the elegant charm of
literati calligraphy, his cursive calligraphy has a remarkable new
aesthetic taste of the times. Inherited in the book spectrum, created in
the times, the collision between the new and the old, let the pen and
ink show the new splendor of art, beautiful, and everyone’s great cause
always lies in the omnipotence of inheritance and innovation!
著名书画评论家 史峰 2019年3月10日
Famous painting and calligraphy critic Shi Feng March 10, 2019
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